Thank you for your interest in 1859 Oregon’s Magazine, the magazine about how Oregonians live, work and play. 1859 is a high-quality, regional magazine published monthly by Statehood Media. Articles are written primarily by freelance writers. In an intelligent and beautiful format, 1859 explores the landscapes,the personalities, the movers and shakers, the history and the architecture that is the jewel of the Pacific Northwest. For Oregonians, 1859 is an exploration of the state’s rich history, its incredible destinations and colorful personalities. Departments like “Food & Home,” “Ventures” and “Local Habit” will resonate with residents of Oregon. Departments like “Trip Planner” and “Adventures” are visual and editorial pollen that attracts the travel bee. Before pitching ideas for stories, please look over the past copies of 1859 or visit our website at 1859magazine.com. We look for writers with a strong knowledge of their subject and a love of Oregon. To query, send a brief letter…
Neal Keny-Guyer could tell you what it feels like to go fly-fishing in Kamchatka. He could express the lasting impact of his trip to the Thai-Cambodian border at the height of conflict in 1980, or what it feels like in Beirut after a car bomb explodes in the middle of an otherwise pleasant afternoon.
In the colorful landscape of Oregon’s film industry, a place connected with such names as Gus Van Sant and Carrie Brownstein, Martin Vavra struggles for recognition. Portland-based Vavra does film and video production through his company, Galaxy Sailor Productions, which came to life after the 40-year-old lost his middle school science teaching job in 2008.
The plan for Jesse Lange was already in the soil of tiny Dundee when he moved there as a 9-year-old. It wasn’t preordained determinism. Oregon’s wine industry back then couldn’t yet be called much of an industry. The soil was new to the noses in the wine world, and most clear thinkers were clearly skeptical of its potential. Oregon wine was what Californian wine-growers considered to be the hooch of a few hippies who had lost the points on their compass, errant souls swept up in a northerly trade wind.
Wei Wang sat down in his lab at Oregon State University with an inkjet printer and an interesting question. Why can’t solar cells be made simply by printing them with an inkjet printer filled with a solution of solar-transmitting compound? His answer was the subject of a four-page research paper published in the industry journal Solar Energy Materials & Solar Cells and the focus of an article from the BBC. The 28-year-old Ph.D. candidate from Shanxi Province, China had discovered an easy process for making solar cells with a printer, a substrate and a combination of metal salts called CIGS. Wang’s discovery could revolutionize the solar industry as a cheap and environmentally friendly alternative to the traditional siliconbased solar cell, and, as a by-product, bring inkjets back into the avant garde.
It is an understatement to say that Rachel Bristol is passionate about her work. Vigor, pride and frustration are Bristol’s constant companions after twenty years as chief executive officer for the Oregon Food Bank. Her deep concern for the people of Oregon who struggle to feed themselves and their families is palpable and her enthusiasm to bring change is contagious.