Jewelry designer, mom and business woman extraordinaire, designer Heather Straw was selling about $1,000 a month in handmade jewelry when she attended a trade show in Las Vegas in 2005. In two days, she sold $43,000 and knew that her life was about to change. “I was a young mom, I’d just lost my shop in downtown Bend, and I was terrified about the future,” she says. “I gave my boyfriend, now my husband, the stack of orders, and we started filling them in our home.” Nashelle Jewelry soon had five employees working in her living room. In 2006, she leased an industrial-sized bay on Bend’s east side to house a showroom and work area. The business grew at warp speed, today encompassing six industrial bays and twenty to thirty employees, depending on the season. More than 400 boutiques worldwide carry the Nashelle and Nash (for men) lines. Nashelle rings,…

A wall of yarn is her palette, a steel hook her brush. With these, Portland artist Jo Hamilton crochets a new twist on an ancient craft with elaborate cityscapes and portraits that unravel crochet as granny craft. By painting in yarn, Scottish-born Hamilton, 41, blends fine art training from the Glasgow School of Art with the craft she learned from her “gran.” She moved to Portland in 1996, and painted in oil and watercolor for almost twenty years, but says, “I hadn’t found my medium.” In 2006, inspiration struck at a nontraditional show of tapestry, sewing and embroidery at the Contemporary Craft Museum (now the Museum of Contemporary Craft). She went home, picked up the crochet hook and began a cityscape of Portland that took years to complete. Next were the portraits—friends, coworkers and even dogs. “Portland excites and inspires me to do unsanctioned things and not think about what…

Portland designer Tim Gallagher goes off the racks with industrial design.