Sound Off: Opening New Logging Areas
In September, Rep. Peter DeFazio, the ranking member of the U.S. House Natural Resources Committee, saw the passage of the Oregon & California Trust Act. This bill effectively opens federally managed O&C Trust lands in the Cascades andCoastalRangefor logging of up to 500 million board-feet per year, compared with 200 million board-feet annually harvested over the past few years through BLM-managedOregonforests. The bill also establishes 90,000 acres of new wilderness, 130 miles of new Wild and Scenic river designations, and provides protection for more than 1.2 million acres of mature and old growth forests. The logging proceeds would generate an estimated $90 million forOregoncounties that are facing the long-anticipated cut of federal logging subsidies known as the Secure Rural Schools legislation. Proponents of the bill cite its continued federal funding and job creation. Opponents of the bill see it as a repeal of the Northwest Forest Plan, which aims for lower forest production and conservation. Here, Rep. DeFazio and Wild Oregon’s director, Sean Stevens debate the merits of the bill.
Across the state, a collection of paradigm-shifting entrepreneurs is bucking the system. By turning their backs on the notion that the music industry revolves around metropolitan destinations such as Los Angeles, New York, and London, these ambitious music-lovers are bringing fans exactly what they want. By staying local, Oregon record labels are creating a culture and community that not only houses hometown musicians, but also puts our region on the map as a destination for those seeking cutting-edge musical experiences.
To emphasize that point, in 2012, Professor Todd Humphreys from the University of Texas at Austin was allowed to set up on a hill a half mile from the White Sands Missile Range in New Mexico. He and his team of students on that hill, hijacked an $80,000 drone that the Department of Homeland Security was testing for law enforcement purposes. The academics easily stole command and sent the drone hurtling toward the ground. This drone, it should be noted, had the same security that is standard for commercial UAVs.
To understand Aaron Meyer’s journey from being a classical violinist to a concert rock violinist, begin by listening to his music.
His album “The Journey … not the Destination” transports listeners to the Fiji Islands, Ireland, Arabia and Argentina. “Warming Up” shares how wine creates memories and friendships and “Two Sides to This Story” emphasizes how he and guitarist Tim Ellis work together to create their own music—edgy progressive rock with worldly flavors.